OPEN HOUSE: DRAWING
CASS CABRAL PUCCI, 3, BOTTLES, CHARCOAL ON PAPER, 18"x22", 2022.
KATHY CHEN, 4, FIGHT-FLIGHT-FREEZE, OIL PASTEL ON PAPER, 12"x16", 2021.
KATHY CHEN, 4, UNKNOWNS DIPTYCH, SOFT PASTEL ON PAPER, 19.7x25.6 EACH (39.4x51.2 TOTAL), 2022.
KATHY CHEN, 4, INFANT (PART OF A LARGER SERIES), SOFT PASTEL ON PAPER, 19.7x25.6, 2022.
CALVIN PHAM, 4, SAJE ON BOOKS, CHARCOAL AND WHITE CONTE, 18"X24", FEBRUARY 10TH, 2022
CALVIN PHAM, 4, SAJE BESIDE BOOKS, SOFT PASTEL ON 18"X24" MIX MEDIA PAPER, MARCH 10TH, 2022
MAX TRUTNEVA, 3, DEATH, CHARCOAL, 24 BY 32 INCHES, 2022. I was required to draw a still-life from life and grabbed objects in my house that relate to the theme of death somehow. From the dried flowers, the ram skull, skull light, and even the death moth print on the bottle, all happen to relate to the idea of death.
XIA WENJIN, 4, ORDINARY OBJECT, CHARCOAL ON PAPER, 18 x 24, 2022. This is a still life drawing with a focus on household objects on paper using charcoal pencil. Through shading techniques of realistic lighting, it helps us better at creating shapes and building three-dimensional forms.
SARAH SANDOVAL, 3, THE HUMAN AFFECTION, INK ON RAG PAPER, 30x44" (PAPER), NOV. 2021.
SHANNON CUPPLES, 4, THE RED NUDE, RED PEN ON PAPER, 48X48, 2022
SHANNON CUPPLES, 4, PULL YOURSELF TOGETHER, PEN ON PAPER, 48X57, 2021
DIANA ISTRATE, 3, THE STARFISH, CHARCOAL ON MIXED MEDIA PAPER, 24x18, 2021. The Starfish is a drawing from reality aimed at capturing the true essence and qualities of the nature of a starfish, achieved through close examinations of the 3D specimen.
NICOLE LAI, 3, MISSED CONNECTIONS, CHARCOAL & WATERCOLOUR ON JAPANESE PAPER, 28x50, 2021.
ABBIE MAUNO, 5, PUBLIC TRANSIT LOVE LETTER 2, WAX CRAYON, PASTEL, GOUACHE, AND GRAPHITE ON PAPER, 3.5"X5.5", 2022. Public Transit Love Letter 2 is a zine in an ongoing series of work celebrating commuter life in the city of Toronto.
ABBIE MAUNO, 5, SUBWAY CAR, WAX CRAYON AND PEN ON PAPER, 8.5"X11", 2021. Subway Car is a zine that replicates the commuter experience.
ABBIE MAUNO, 5, LOVE POEM, WAX CRAYON, GOUACHE, PENCIL CRAYON, MARKER, AND PEN ON PAPER, 18"X24", 2022. Love Poem captures a moment of rumination on an evening commute, shifting in and out of conscious thought.
NADINE CHANTAL LECLERC, 4, FROM 66 HIGH STREET TO 2099, DIGITAL DRAWING, 830 X 1200PX.
NADINE CHANTAL LECLERC, 4, SIGN, DIGITAL DRAWING, 1500 X 355PX
LISA SUBRYAN, 4, CARIBBEAN STORYBOOK COVER, WATERCOLOUR ON WATERCOLOUR PAPER, 16’’x20’’, 2021. An illustrated children’s book cover that was written and illustrated by the artist. The book is meant to address the lack of representation of Caribbean heritage and culture in the art world.
LISA SUBRYAN, 4, CARIBBEAN STORYBOOK PAGES, WATERCOLOUR ON WATERCOLOUR PAPER, 16’’x20’’, 2021. A series of pages from the original children’s story book “Jimmy’s Tropical Adventure,”. The artist has written and illustrated the story to create an awareness and representation of Caribbean culture within the art world.
DAYAN TORRES FLEITES, 3, FACADE, PASTEL, MARKER, WATERCOLOUR, ACRYLIC, PENCIL CRAYON ON PAPER, 18x24, 2022. Façade is reminiscent of a magazine cover and portrays the struggles masked by a social media presence.