OPEN HOUSE: PAINTING (3rd YEAR)
KILE BRINDLEY-REID, 3, FINAL VACATION, ACRYLIC ON CANVAS, 20x24, 2022
KILE BRINDLEY-REID, 3, FROST BITE, ACRYLIC ON CANVAS, 28X22, 2022
KAROLINA BAKER, 3, LIVING ROOM STUDY 1, ACRYLIC ON WOOD, 18”X18”, 2021. This abstract painting reveals how through isolation hyper-observation of interior spaces begins.
KAROLINA BAKER, 3, LAST MAN ON THE TOTEM POLE, ACRYLIC ON CANVAS WITH FOUND OBJECTS, 29”X36”, 2021. This assemblage was created with the influence of world news during 2021: food shortages, environmental destruction, and the international community’s acknowledgement of ethnic, gender and race issues.
ANAHITA ERFANIJAHED, 3, ANOTHER DALI, ACRYLIC ON CANVAS, 18x24, 2022. This acrylic painting has been translated from a collage I made for the “construction of human figure” class.
DAYAN TORRES FLEITES, 3, THE SUBLIME, ACRYLIC AND SPRAY PAINT ON CANVAS, 40x40, 2022. The Sublime depicts digital processes that impose unification and coexistence while portraying the complexity of the digital world.
DAYAN TORRES FLEITES, 3, SHATTERED, ACRYLIC AND SPRAY PAINT ON CANVAS, 28x38, 2022. Shattered places an emphasis on the power of facial expressions through the use of transparency to create an emotional narrative surrounding shock and distress.
EMILY THEOPHYLACTOU, 3, FLUID, ACRYLIC ON CANVAS , 30x40, 2022
LINDA RYSAN, 3, LOST IN MY MUSIC, ACRYLIC PAINTING, 24x36, 2022.
LINDA RYSAN, 3, OOPS, ACRYLIC PAINTING, 24x36, 2022.
SHUXIN XIAO, 3, PAINTING LIFE, ACRYLIC, 24''x30'', 2021.
DONGHUI LIU, 3, UNTITLED, ACRYLIC ON CANVAS, 35x40", 2021.
DONGHUI LIU, 3, MIX#2, COLLAGE ON CANVAS, 22x34x5", 2022
DONGHUI LIU, 3, PARKING LOT WITH A MAN WALKING HIS DOG, ACRYLIC ON 4 PIECES OF PANELS, 12x8 & 12x8 & 8x8 & 8x8", 2022
DANIELA FIGUEIREDO, 3, QUEENS GAMBIT, ACRYLIC PAINT, 24x20x1, 2022.
DANIELA FIGUEIREDO, 3, EVE, ACRYLIC PAINT, 24x20x1.5, 2021.
DOMENICA RINALDI, 3, WARPED, ACRYLIC ON WOOD, 36X40, JANUARY 2022
DOMENICA RINALDI, 3, 2001: A CHILD'S ODYSSEY, ACRYLIC ON CANVAS, 30X40, NOVEMBER 2021
DOMENICA RINALDI, 3, BECOMING A WOMAN IS RECONNECTING WITH THE GIRL YOU ONCE WERE, ACRYLIC ON CANVAS, 36X36, FEBRUARY 2022
AMIR PATROS, 3, SELF PORTRAIT, OIL ON CANVAS, 24X30, 2022
AMIR PATROS, 3, A CHILD'S LOVE FOR LIFE, OIL AND ACRYLIC ON CANVAS, 36X48, 2022
TALINE KAVOUKIAN, 3, JAZZED, GOUACHE, ACRYLIC AND FLASHE ON CANVAS, 41x67x1.25, 2021.
TALINE KAVOUKIAN, 3, GARDEN PARTY, OIL, ACRYLIC AND FLASHE ON DIGITAL PRINT CANVAS 35.5 x57, 2022.
TALINE KAVOUKIAN, 3, UNTITLED, GOUACHE, ACRYLIC, INK ON CANVAS, 38.25x60x1.25, 2021.
DIANA ISTRATE, 3, B(EYE)ODIVERSITY, GOUACHE ON STRATHMORE 400 BRISTOL PAPER, 22x30, 2022. B(eye)odiversity is a large recreation of a torn and reconstructed original drawing, showcasing the diversity of eyes across the world in an abstract arrangement to allow for conversation.
YIKE CHEN, 3, POPART COLLAGE, ACRYLIC, 30x40 INCHES, 2022
YIKE CHEN, 3, FALLING, OIL ON CANVAS, 30x40 INCHES, 2022.
ALSA ST ROSE, 3, HEADLIGHTS, ACRYLIC ON CANVAS, 24"X36", FEBRUARY 2022
ALSA ST ROSE, 3, HOOKER'S GREEN, ACRYLIC ON CANVAS, 40X30, MARCH 2022.
OLIVIA LAFOY, 3, WARM PORTRAIT, ACRYLIC, 36X24X1.5, 2022
OLIVIA LAFOY, 3, YOINK, ACRYLIC, 36X36X1.5, 2022
OLIVIA LAFOY, 3, HYPNOS, ACRYLIC, 30X40X1.5, 2022.
OPEN HOUSE: PAINTING (4th/5th YEAR)
NICOLE DIMT, 5, DYSTOPIAN FINANCE, 36"X48", 2020, A glimpse into a distorted, wonky, and inverted dystopian world.
NICOLE DIMT, 5, PUZZLED CITY, ACRYLIC ON CANVAS, 30X24, 2021, A very puzzled town, filled with overwhelming chaos.
NICOLE DIMT, 5, CITY AND COLOUR, ACRYLIC ON CANVAS, 30X24, 2021, The wonky, misshapen, and vibrant world, that is City and Colour.
INSIYA PATEL, 4, THE RAVEN, WATERCOLOUR, 11X15, 2021
INSIYA PATEL, 4, BIRD DATE, WATERCOLOUR, 2022
INSIYA PATEL, 4, HALLOWEEN TEATIME, WATERCOLOUR, 2021
JESSALYNN RAMGOOLAM, 4, GIRL WITH THE HOOP EARRING, COLOURED PENCILS & GOUACHE ON PAPER, 17X13, 2022.
JESSALYNN RAMGOOLAM, 4, UNTITLED, ACRYLIC ON CANVAS, 30x30, 2022.
JESSALYNN RAMGOOLAM, 4, ROSE-COLOURED VIEWS, ACRYLIC ON CANVAS, 30X30, 2022.
PAIGE RICE, 4, AM I NEXT, ACRYLIC ON CANVAS, 30X40X0.75, 2022. This piece is to raise awareness of the Missing and Murdered Indigenous Women across Turtle Island. They are our sisters, wives, mothers, and daughters…
PAIGE RICE, 4, MYSTIC POETRY II, MIXED MEDIA, 62X72, 2022 Mystic Poetry II is my interpretation of the a dream-like Landscape. The inspiration and subject matter for this piece are the elements of earth, water, and air.
PAIGE RICE, 4, UNTITLED, ACRYLIC ON CANVAS, 40X30X0.75, 2022
ALICIA HRVATIN, 4, COLOUR BLIND, ACRYLIC PAINTING ON WOODEN PANEL, 18x18, 2021.
CHELSEA FRATTURA, 5, DREAMSCAPE, OIL ON CANVAS, 30 X 30 X 1.5, 2022.
CHELSEA FRATTURA, 5, SANCTUARY, OIL ON CANVAS, 36 X 30 X 1, 2021. Sanctuary depicts the inner spaces we create to reside in as a feeling of home.
CHELSEA FRATTURA, 5, BOTANICAL DREAM, OIL AND PRINTED FABRIC ON CANVAS, 36 X 24 X 1, 2O22.
EILEEN JEN, 4, ADOLESCENCE, ACRYLIC ON CANVAS, 24x36, 2022, Adolescence examines the confinements of gender roles imposed in childhood and a sense of forced maturity as a result.
EILEEN JEN, 4, VENUS, ACRYLIC ON CANVAS, 24x30, 2021, Venus investigates the feeling of being powerless to prevent climate change as well as the eco-gender gap.
EILEEN JEN, 4, ALTITUDES, ACRYLIC ON CANVAS, 30x40, 2021, Altitudes revisits beauty standards from the Tang Dynasty as an analysis of societal pressures and expectations.
EMMA VICENCIO, 4, ETHAN AT THE VILLAGE, ACRYLIC ON CANVAS, 24X36 INCHES, JANUARY 26 2022
EMMA VICENCIO, 4, METAMORPHOSIS, ACRYLIC ON CANVAS, 24X30 INCHES, MARCH 2ND 2022
SIMON PELLERIN, 4, DISASTER CHILD, GOUACHE ON PAPER, 18x24, 2022.
SIMON PELLERIN, 4, FOREST FIRE, GOUACHE ON PAPER/ BOOK WORK, 14x108, 2021
SIMON PELLERIN, 4, DAMAGE CONTROL, COLOURED PENCIL, WATERCOLOUR AND GOUACHE ON PAPER, 24x24, 2022.
YUKI TAM, 4, THEY TOOK THE REST OF ME, ACRYLIC ON CANVAS, 24“X30”, 2022.
KATRIANNA PISANI, 5, IT'S MY CHOICE, MIXED MEDIUM ON WOOD PANEL, ACRYLIC, SPRAY PAINT, PAPER TRANSFER, CHICKEN WIRE, 36x48x2, 2021
KATRIANNA PISANI, 5, BECAUSE I CAN, MIXED MEDIUM ON WOOD PANEL, ACRYLIC, SPRAY PAINT, CHICKEN WIRE, 36"x48"x2", 2022
KATRIANNA PISANI, 5, DOESN'T MEAN YOU SHOULD, MIXED MEDIUM ON WOOD PANEL, ACRYLIC, SPRAY PAINT, CHICKEN WIRE, 36"x48"x2", 2022
CELESTE CAMERON, 5, A SEAT AT THE TABLE, ACRYLIC ON CANVAS, 36x24x0.75, 2021
CELESTE CAMERON, 5, BOX BRAIDS ARE BEAUTY, ACRYLIC ON CANVAS, 36x24x0.75, 2021
CELESTE CAMERON, 5, RECONNECTED, ACRYLIC ON CANVAS (25.5x72x1.5), 2021
AMAN GEBREKIDAN, 4, TWO COLORS, ACRYLIC ON CANVAS, 30X24 INCHES, 2022
AMAN GEBREKIDAN, 4, DANCING COLORS, ACRYLIC ON HARD PAPER, 24X30, 2022
AMAN GEBREKIDAN, 4, MJ DYNAMICS, ACRYLIC ON CANVAS, 40X30, 2022
AESOOK BAE, 4, DAVID BOWIE, COLLAGE IN WATERCOLOR, 15"X11"X01", 2022. At first I drew an abstract painting with watercolors and then make a collage to Represent David Bowie.
AESOOK BAE, 4, DANCING FLOWERS, ACRYLIC, 60"X40"X01", 2022.
ROBERT OWEN, 4, SPLISH, SPLASH...SPILLED, WATERCOLOUR, 10" x 14", 2021
ROBERT OWEN, 4, GERMINATION, WATERCOLOUR AND EMBROIDERY FLOSS ON PAPER, 20" X 16", 2021
ROBERT OWEN, 4, CONSUMED, WATERCOLOUR WITH HOT GLUE ON PAPER, 14" X 10", 2021
GENEVIEVE SINGER, 5, MEMORIES FROM THE GARDEN (IN ULTRAMARINE), OIL AND ACRYLIC ON CANVAS, 24X36, 2022. To form a personal relationship, I return to my grandmother and her religion. This piece is inspired by my only memory of my grandmother-her garden, and my namesake, which connects to Eve in the Garden of Eden, and traditional depictions of the Madonna and Child.
GENEVIEVE SINGER, 5, DOILY GARDEN, OIL AND ACRYLIC ON CANVAS, 24X36, 2021. Inspired by my grandmother who passed soon after I was born, who left behind a basket of doilies which I feel connected to due to their beauty and connotations of femininity, domesticity, tradition, and “low art”. My only memory of her occurs in her garden, which loosely dictates this composition.
GENEVIEVE SINGER, 5, HOME INVASION: THE BURGER EATERS, OIL AND INK ON CANVAS, 22x28, 2021. This painting is inspired by a photo album of strangers found at thrift store. Here, I expand my understanding of memory, home, the mundane, and the uncanny as I navigate intimate moments of an anonymous family.
REVILL VILLANUEVA, 4, I WANNA GO HOME, OIL ON CANVAS, 30” X 48”, 2022. This depicts is the artist’s desire to return back to his childhood place in the Philippines after leaving the country 10 years ago. With the restrictions of the COVID-19 pandemic, the artist immerses himself in a projection of a street view of Tiring, Cabatuan, Iloilo from Google Earth to relive his childhood memories.
XIER WU, 4, THE DREAM, ACRYLIC, 26''X34''X3/4 '', 2021. It is a dream about a man with gender identification, he want to be a woman and go to dance.
XIER WU, 4, WOMAN AND FLOWERS, OIL, 26''X34''X3/4 '', 2021.
XIER WU, 4, THE DEATH OF A ROBOT, ACRYLIC, 26''X34''X3/4 '', 2021. When the robot dies (broken), she still holds people's hearts tightly because the pursuit of her whole life is that understand the emotion of people.
CALVIN PHAM, 4, CONSCIOUSNESS THROUGH THE CITY, ACRYLIC ON PANEL, 30" X 30", 2022.
SHANNON CUPPLES, 4, MADAME HUE, ARCYLIC PAINT ON CANVAS, 24 X 30, 2022
ZAHRA QUADRI, 4, REFUGEE CHILDREN AT THE BORDER OF HUNGARY, 45”X58”, 2021. This is a response to a photograph taken at the border of Hungary as the refugee crisis and forced migration is worsening.
ZAHRA QUADRI, 4, EAST MEETS WEST, ACRYLIC ON CANVAS, 20”X24”, 2019. This is a depiction of the context of my artistic style, a mixture of my cultural heritages from the east (South India) and the west (Britain and Europe)
JULIAN LYNN, 4, ROUGH AROUND THE EDGES, ACRYLIC ON PLYWOOD, 24X24 INCHES, 2022
CAITLIN GRECO, 4, HOW IT ENDS, ACRYLIC PAINTING ON CANVAS, 30X40, 2021
CAITLIN GRECO, 4, BEACH ABSTRACTION, GLITTER AND ACRYLIC PAINT ON CANVAS, 48X60, 2020
CAITLIN GRECO, 4, UNHAPPY, ACRYLIC ON CANVAS, 36X36, 2021
JAMES OWEN, 4, A PROJECTION OF DERIVATION, OIL AND ACRYLIC ON CANVAS, 40X30, 2022
JAMES OWEN, 4, TARNISHED TRUTH, OIL AND ACRYLIC ON CANVAS, 30x24, 2022.
JAMES OWEN, 4, DIMENSIONALITY, MIXED MEDIA, 40X30, 2021
EMMA WEBSTER, 4, SO F#@%ING CLEAN!, OIL ON WOOD, 36" X 36"
ZAHRA QUADRI, 4, VEINS, STOP MOTION VIDEO, 1:25, 2021. This stop motion depicts the unpredictability and movement of space I experienced during COVID. Created with oil paints on plexiglass. (CLICK FOR VIDEO)