OPEN HOUSE: PHOTOGRAPHY
JULIEN-TYLER NORRISH, 4, A SECRET LETTER TO HOME, PHOTOGRAPHY, 16 x 9, 2021. A Secret Letter To Home is a sequence of 3 multimedia photographs, exploring Filipino assertions of identity and history through the usage of an ancient Philippine script and post-colonial bodies.
JULIEN-TYLER NORRISH, 4, DANCING OF LIGHTS, PHOTOGRAPHY, 16 x 9, 2021
JULIEN-TYLER NORRISH, 4, NINUNO, MULTIMEDIA COLLAGE, 10 x 8, 2021. Ninuno is a reminder for the Filipinos, to remember our ancestors and to remember the trials and tribulations they've once endured. Ninuno is the Tagalog translation for ancestors.
YUHAN SHI, 4, HOMAGE TO FRANCESCA WOODMAN I, DIGITAL PHOTOGRAPHY, 24X36, 2022
YUHAN SHI, 4, HOMAGE TO FRANCESCA WOODMAN II, DIGITAL PHOTOGRAPHY, 24X36, 2022.
YUHAN SHI, 4, UNTITLED, DIGITAL PHOTOGRAPHY, 20X30, 2022.
YI GAO, 3,
YI GAO, 3, (DUSK), PHOTO, 4259 × 4052, 2022. For this photo, I photographed the time around dusk on different days.
CHELSEA SHUM, 4, INTO THE UNKNOWN, B&W FILM PHOTOGRAPHY, 8X10, 2022.
CHELSEA SHUM, 4, DRIFTING BY, B&W FILM PHOTOGRAPHY, 8X10, 2022.
CHELSEA SHUM, 4, THE PERFECT VIEW, B&W FILM PHOTOGRAPHY, 8X10, 2022.
DIANNE TWOMBLY, 4, SISTERS, DIGITAL PRINT, 36X48, 2021
DIANNE TWOMBLY, 4, IN THE BALANCE, DIGITAL PRINT, 36X48, 2021
DIANNE TWOMBLY, 4, PAY IN ADVANCE, DIGITAL PRINT, 36X48, 2021
MAX TRUTNEVA, 3, HEAD OF GOLIATH, 1500 X 1028, 2021. I wanted to represent and bring awareness to my boyfriend's struggle with dealing with schizophrenia through parodying the original "David with the Head of Goliath". As well, make a light-hearted parody with my evil cat.
MAX TRUTNEVA, 3, OUT OF PLACE, PHOTOGRAPHY, 2021. "Out of place" is a set of edited photographs that were taken in my hometown where I felt I never belonged. I wanted to represent the isolation and the anxiety I felt living as a transgender person in such a closeminded hometown.
XIA WENJIN, 4, EMBRACING NATURE, PHOTOGRAPHY / PRINTS ON PAPER, 24X 28, 2021. Through the exploration into Lynde Shore Conservation Area, it gives us the opportunity to get close to nature and discover natural beauty.
CHRISTIAN POMPONIO, 3, THE HAMMER, PHOTOGRAPHIC COLLAGE, 3.34x13.25, 2021. The Hammer is an ode to my hometown looking to shine a positive light onto a place commonly associated with negativity.
AMIR PATROS, 3, TWO PARTS OF A WHOLE, PHOTOGRAPHY, 2022
REVILL VILLANUEVA, 4, 3022: TRANSCENDENCE, PHOTOGRAPHY, 13” X 19” EACH, 2022. 3022. Transcendence is a series of photographs that explores the concept of transcending paper from its 2-Dimensional form and transforming it into sculptures in 3-Dimensional space. These images display paper turning into beings and landscapes of a dystopian future.
TRACY TRAM NGUYEN, 5, MY PRIDE, PHOTOGRAPHY, 21x12in, MARCH 2022.
XIAOHANG MO, 4, YONGE ST, PHOTO, 21 x 12", 2022
XIAOHANG MO, 4, WALKING ON THE CITY STREET, 21 x 14, 2019
XIAOHANG MO, 4, PEPPER, PHOTO, 17x21, 2022
SARA BURSEY, 4, MY BODY IS A CAGE AND I AM THE BIRD, DIGITAL PHOTOGRAPHY, 51x28", 2021, A self-portrait triptych that documented my body as I began my eating disorder recovery process.
LISA SUBRYAN, 4, NOURISH, DIGITAL PHOTO, 1500px x 250px, 2022. A series of photos that are meant to capture the movement, fragility, and vivid colours of food and water. The series was named after the fact that we need healthy food and clean water to nourish and sustain a healthy lifestyle.
KERRY BROWNELL, 4, SISTER ARCHIVES, EACH 10”x10”, COLOUR PHOTO, PRINTED ON CANVAS, 2021. The reinterpretation of documents through photography elevates them allowing for a more impactful conveyance of the death of an infant sister. Printing on canvas connects this piece to my painting practice, and the addition of the QR code expands the viewer’s narrative experience.
KERRY BROWNELL, 4, I GIVE YOU MY SON, 1880, 24”x48”, PHOTO ON CANVAS, ACRYLIC AND TEA ON CANVAS, 2022. This diptych deals with family history documentation and the power of the written word. The left contests the readability of text by painting over a photo collage documenting my great-grandfather being “given” away; the right draws from my Irish diaspora using grains of tea.
SHIN TOUSI, 3, UNTITLED TRIPTYCH, DIGITAL COLLAGE, 2021
SHIN TOUSI, 3, UNTITLED DIPTYCH, DIGITAL COLLAGE, 2021
SABA SHARIFI, 4, CONTACT SHEET, PRINTED B&W FILM PHOTOGRAPH, 11X8, 2021
SABA SHARIFI, 4, A CUP OF TEA, COLOUR PHOTOGRAPH PRINTED ON CERAMIC TILES, 18X18, 2021
JULIAN LYNN, 4, SMOKESTACK AND SUMACS, DIGITAL PHOTOGRAPHY, 13X19 INCHES, 2021
JULIAN LYNN, 4, ENTANGLEMENT, DIGITAL PHOTOGRAPHY, 13X19 INCHES, 2021